Nigel Pascoe QC reviews the recent staging of Judgement at Nuremberg at the Bridewell Theatre to which lawyer-actors brought their forensic skills
Judging the Judges is a diverting philosophical exercise. The Bar are at it every day. But in the third Nuremberg trial it happened with a vengeance when four Nazi Judges faced an American panel of three. Was it to be victor’s justice and the least they deserved? Or were there real defences in law which could be deployed?
In recent years, Judgement at Nuremberg has been staged at the Tricycle Theatre as well as other lawyer’s productions, including 12 Angry Men, Inherit The Wind and To Kill a Mockingbird ; all directed very successfully by Sally Knyvette. Any lawyer-actors would love the chance to bring their forensic skills to a professional venue and professionally directed, they can bring authentic attack and real flair to these classic court-room dramas: so again with this new staging at the Bridewell Theatre. The great virtue of this compelling play is that without ever losing its moral core, it is pretty even-handed in examining the issues and particularly who knew what of the Holocaust in legal and civilian circles. It reaches the right conclusion, but in the process, also allows us to follow the fall of a great but flawed German judge. Unlike his co-defendants whom he despises, this Judge has the moral courage to condemn himself. In dramatic terms then, a stonking great speech for a lawyer-actor and a marvellous central part - the fair and modest small-town American Judge.