Ashutosh Khandekar on opera as a virtual experience.
In his essay Art and Revolution, published in 1849, Richard Wagner first applied the term “Gesamtkunstwerk” to opera —a “universal art form” that draws together many facets of culture and creativity, merging them into a single expressive whole. Had he been writing a century and a half later, Wagner’s choice of word to describe opera, with its heady mix of music, drama, design and, increasingly, technology, might well have been “multimedia”.