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Summer Reading

The Bar Chairman, Vice-Chairman and Vice Chairman-Elect with their favourite books for the summer.  

Summer is designed for cricket, and it is a truth universally acknowledged that the best book about cricket is Beyond a Boundary by CLR James. The book takes in race, class, colonialism and so much more, as befits the Leninist, Trinidadian nationalist author of the line: “What do they know of cricket, who only cricket know?” 

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Diving in

Zoe Saunders on how she makes the most of her time away from court and unwinds.  

As I was leaving court recently, one of the local district judges said to me: “I understand you’ve taken up some kind of extreme sport, sky diving or something.” As someone who is terrified of heights and not much of an extreme sports fan I had no idea what he was talking about; after some discussion of other extreme sports that I would never contemplate, I tentatively offered “Do you mean freediving, Judge?” To which he replied, “oh yes, that’s the one". 

27 July 2014 / Zoe Saunders
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Secret E-Diary - July 2014

There comes a time when each person must decide where loyalties lie.  

“No doubt he will pursue the case with the added bitterness of an old friend.” 

Oscar Wilde of Edward Carson QC, MP. 

15 July 2014
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A world of their own

David Wurtzel reviews PESTS, a play by Vivienne Frantzmann and commissioned by theatre company Clean Break, at the Royal Court, Jerwood Theatre. The play is now on tour.  

It was well worth reading the script of PESTS over dinner before seeing the show... 

16 June 2014 / David Wurtzel
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Secret E-Diary - June 2014

It has always been my belief that victory is harder to manage than defeat. When human minds are focused on crisis, it may bring out the best outcome possible. Victory, however, is another story. Doubts enter minds. Factions arise. ‘What if?’ becomes the dominant question. The reason is simple: defeat is rarely total or permanent, hence the desire to rescue and reverse; and victory is neither complete nor forever, which ushers in the worries. These truisms were uppermost in my mind when I attended my college gaudy last week.  

Gaudies are held around every five years as a grand reunion party. Few people go to the early ones, because it is time to escape university and get on with life. A much larger group go to those held in their middle years: a combination of growing nostalgia and perhaps a wish to show friends and contemporaries the fruits of success. 

16 June 2014
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Trial and Error

David Wurtzel reviews a fundraising performance of case excerpts, both real and fictional.  

Court 1 at the Central Criminal Court, which has seen enough drama in its time, was the suitable venue for ‘Trial and Error’, an evening of excerpts about cases both real and fictional which had taken place at the Old Bailey, some even in the very courtroom. It was devised by HH Judge Peter Rook QC and further scripted and directed by Anthony Arlidge QC, who also provided the narration as the ‘court clerk’. The two performances on 3 and 4 March were staged in aid of the Sheriffs’ and Recorder’s Fund which assists former offenders. Over £17,000 was raised. 

09 May 2014 / David Wurtzel
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Secret E-Diary - May 2014

As a child I was given a short book written by the late Mr Justice Darling – a man who was known for his judicial wit, although his Spy pen-portrait bore the unkind legend “Judicial Lightweight”. I had high hopes of this book of legal gems. Alas, it was the dullest book I ever read with all his anecdotes, quips and aphorisms falling flat. It now lives in our lavatory for what my dear mama, when we were little, used to call “struggles”.  

Darling is not alone, however. With noble exceptions, the written anecdotes of lawyers are deeply dull. The reason is that we live in an oral tradition, whatever those civil practitioners and sillies who dreamt up the Criminal Procedural Rules think: a world where stories are told and retold in robing rooms, chambers and wine bars. A very great character in Silk when I was a young barrister, called Barry, despite it being none of his given names nor any recognised foreshortening of them, once paid me the honour of telling me the story I had told him six hours earlier about a case of mine but with Barry now in the title role – quite oblivious of the irony. The characters in these stories come to life because we knew them or know them still or, at the least, knew or know of them. 

07 May 2014
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Secret E-Diary - April 2014

Battle lines are drawn  

My party political allegiances remained pretty constant until the day I found myself driving behind a car that had a sticker on its rear windscreen.  Generally, I fi nd these proclamations very annoying. Top of my hate list is “Drive Carefully! Baby on Board!” Whenever I see this particular command, it coincides with a car that is being driven badly in some way – the last one cut me up having undertaken my car at high speed on the M4 – and has no baby in the vehicle at all, unless it has been placed in the boot. However, on this day of my political metamorphosis, I found the rear sticker not only completely failed to irritate me but actually expressed a thought that had been germinating in my head for some time. It read, simply and succinctly: “Don’t Vote! It Only Encourages Them.” 

27 March 2014
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Secret E-Diary - March 2013

The Calm Before The Storm 

Despite initial skirmishes, the phoney war between the publicly funded Bar and the Ministry of “Justice” continues while we wait for the real conflict to begin. Is the Public Defender scheme the plan B of which my mandarin friend warned me or is it yet another smokescreen to cover even more awful shenanigans deep in the Whitehall bunker? Andrew, our Senior Clerk, who hides a twitchy personality under a mask of assurance and confidence, came upstairs for our weekly Headmaster’s chat. It had long ago ceased to be enjoyable and now is simply a list of actual, putative, impending or imaginary crises.  

  

  

09 March 2014
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Judging images

The 2005 and 2013 legal reporting reforms have given rise to initiatives and new images which feed into a new Arts and Humanities Research Council funded project: Judging Images: the making, management and consumption of judicial images. Leslie J Moran reflects upon this project and on Isobel Williams’s work.  

Isobel Williams is not so much a courtroom artist, commissioned to produce court pictures for an image hungry media, but an artist interpreting her courtroom  experiences in words and pictures. Her licence to draw in the Supreme Court is indicative of a new relationship between courts and visual media. 

  

18 February 2014 / Leslie J Moran / Leslie J Moran
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Time for change and investment

The Chair of the Bar sets out how the new government can restore the justice system

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